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Studio Hwaiting Traveling Bookstore Photo 1
© STUDIO HWAITING
Studio Hwaiting Traveling Bookstore Photo 2
© STUDIO HWAITING

Meeting Studio Hwaiting, an Itinerant Bookstore Dedicated to Korean Literature

Discovering how a mother-daughter duo in Southwestern France created a mobile bookstore to bring Korean literature directly to readers across festivals and online platforms.

Interview with Stéphanie and Mélyna (Studio Hwaiting) · July 28, 2026

Korean literature is starting to carve out its space in France, but it remains relatively discreet in general bookstores. It is within this context that Studio Hwaiting, created in 2026 by Stéphanie and Mélyna, was launched. Based in the Hautes-Pyrénées department, they chose an itinerant format to meet the public directly, particularly at festivals dedicated to Korean or Asian culture, while also offering a broader catalog online.

The project grew out of a simple observation: there are very few spaces dedicated to Korean literature, and many readers do not really know where to start. We asked them a few questions for our second literature series via email on July 28, to better understand their approach and their perspective on this evolving field.

1. To start, could you introduce Studio Hwaiting and explain how the idea of an itinerant bookstore specializing in Korean literature came about?

Studio Hwaiting: “We are a mother-daughter team (Stéphanie and Mélyna). We opened the bookstore in April 2026. We chose to name our bookstore Studio Hwaiting. 'Hwaiting' (화이팅) is a nod to the Korean exclamation of encouragement.

We operate under two models: an itinerant business as exhibitors at festivals dedicated to Korean or Asian culture, and an online shop via our website.

The idea was born during a discussion between us. Despite our passion for K-dramas and K-pop, we were unfamiliar with Korean literature, even though we are both avid readers.

Being a niche bookstore, the choice of itinerancy came naturally. Living in a rural department (Hautes-Pyrénées), we could not have sustained our bookstore with a physical storefront. Bringing Korean literature directly to festival visitors felt like an obvious path, especially since we regularly attend these types of events.”

2. What motivated you to dedicate yourselves specifically to Korean literature? Was there a specific author, work, or triggering moment?

Studio Hwaiting: “We had noticed that apart from a few bookstores like Librairie Le Phénix in Paris, there are no specialized Korean literature bookstores in France, and the selection of Korean titles in general bookstores remains relatively limited. We also felt that Korean literature was somewhat invisible within the broader offering of foreign literature. The idea of participating in its discovery immediately excited us, as it allowed us to unite two of our passions: literature and Korea.”

3. How do you select the books you offer? Do you work with Korean or French publishing houses?

Studio Hwaiting: “We try to offer the broadest catalog possible in order to show the diversity of Korean literature and cater to all reading preferences. We were actually impressed by the quantity of works translated into French; Korean literature is particularly prolific.

Currently, we work exclusively with French publishing houses. All the books we offer are translated. We would also like to salute the work of translators and publishers, who do meticulous work to stay as close as possible to the authors' thought process.

We are particularly grateful to the Decrescenzo and L’Atelier des Cahiers publishing houses for their help and encouragement during the launch of the bookstore.”

4. What kind of feedback do you receive from the public regarding Korean literature? Do you observe an evolving interest in this genre in France and Europe?

Studio Hwaiting: “With the Hallyu wave, the public is becoming increasingly interested. During our first two festivals, we initially noticed the visitors' surprise at seeing us present, followed by their enthusiasm to exchange ideas about Korean literature. Our initiative is often praised, which is very reassuring when starting out. Above all, it is a sign of a real desire among the French public to add Korean literature to their reading lists or TBRs (To Be Read).

We do not yet have enough experience to comment on the evolution of interest across Europe as a whole. However, the fact that we were contacted to participate in a festival in Brussels leads us to believe that interest in Korean literature is very much present in Europe.”

5. Studio Hwaiting is both a traveling bookstore and an online shop. What are the advantages and challenges of this dual operation?

Studio Hwaiting: “The advantage is being able to combine direct contact with customers and personalized recommendations during festivals, while offering a much broader catalog on our online shop than what we can display on our physical stands.

The main challenge lies in remaining proactive across both activities. We notice that we need to bring our website to life more dynamically, rather than simply listing books on it.”

6. In your opinion, what role can literature play in sharing Korean culture with French-speaking readers?

Studio Hwaiting: “Literature allows for a deeper understanding of Korea: its history, society, codes, diversity, and the concerns of its inhabitants. It brings a more intimate and nuanced perspective on the country by delving into societal topics.

Reading Korean authors means discovering different sensibilities, different storytelling approaches, and unique viewpoints. In our eyes, literature is an essential pillar of cultural exchange.”

7. Do you have future projects, events, or collaborations that you would like to share with our readers?

Studio Hwaiting: “We have so many projects, which will naturally lead us to develop numerous collaborations... As mentioned earlier, we are still at the beginning of this adventure.

We wish to expand our catalog by offering untranslated or bilingual books, Korean language learning manuals, poetry, and second-hand books.

We are also continuing our travels across France. We will be present at the Woori Festival (Toulouse), the Dano Festival (Devay), the Festival Couleurs de Corée (Saint-Brieuc), as well as other events through December. We will hit the road again in 2027 by participating in new festivals and perhaps our first participation in Brussels.

We are also enhancing our mediation work on our Instagram page, where we want to introduce all facets of Korean literature. Our goal is for manhwa no longer to be presented simply as 'Korean manga,' but recognized for its own identity, and for Korean literature no longer to be summarized solely by the name of Han Kang.

Finally, we would like to develop our book club to offer video conference meetings centered on Korean literature.

HWAITING !!”