From the moment you encounter Shim Jae-myung across the screen, a lasting impression settles in. Her presence is calm and grounded, yet carries a quiet, profound energy that makes itself felt without a word. One instantly understands why she holds such an essential position in the Korean film industry. Without exaggeration or self-promotion, she naturally radiates the soft conviction belonging only to those who have passed through long years of creation, deep reflection, and perseverance.
The interview conducted on August 12 held a special significance from the very beginning. Her schedule was packed tight, requiring minute-by-minute movement amid a continuous stream of responsibilities. Nevertheless, she carved out time for us—not as a forced gesture, but with genuine sincerity. This thoughtful consideration from someone bearing such heavy weight transformed the atmosphere of the conversation in an instant.
As her first answer began, her sincerity resonated immediately. Shim Jae-myung had no intention of trying to impress us or delivering impeccably prepared lines. She simply shared her story with unvarnished reality, rooted in her experience and conviction. Whenever she mentioned the Jeonju International Film Festival, her expression subtly shifted, revealing a deep, personal affection. To her, this festival is far more than an annual event; it is a sanctuary where creators can catch their breath, take bold risks, fail, and start anew—a safe haven for voices that do not fit into conventional molds.
The dialogue flowed naturally. At times she paused in thoughtful reflection before offering an answer, and at other times a warm smile appeared as she spoke of directors or projects close to her heart. While one could sense the fatigue of carrying so many responsibilities, an unwavering determination shone through much stronger. She understands well the shifting landscape of cinema—empty theaters and the growing dominance of digital platforms. Yet she does not resign herself to these changes. She firmly believes the power of cinema resides in "the shared collective experience" and hopes Jeonju IFF continues to be a place that protects such moments.
1. How do you feel about participating as a jury member for the International Competition at this year's Jeonju International Film Festival?
Shim Jae-myung: “I had been invited to serve on the jury several times in the past, but this was the first time I was actually able to participate. I came in with the expectation of being inspired and stimulated by the works of young directors, and this experience fully met those expectations.”
2. What were the most important criteria or perspectives you considered during the evaluation process?
Shim Jae-myung: “The International Competition section primarily highlights first or second feature films. Therefore, I aimed to select works that demonstrated freshness in both form and narrative, as well as bold themes and strong creative energy.”
3. Did you notice any particular trends or distinct characteristics among the International Competition entries?
Shim Jae-myung: “What impressed me most was observing how young non-commercial filmmakers around the world are facing real budget constraints—or the immense effort they put into overcoming them. Attempts to break through limitations using restricted spaces, small casts, and innovative formats were particularly striking.”
© Jeonju IFF
4. Comparing current trends in Korean cinema with international cinema, what differences or commonalities did you find?
Shim Jae-myung: “The most noticeable difference was the significantly bolder formal experimentation seen in international films. While Korean independent cinema excels in portraying human beings within historical, social, and temporal contexts, this year's international entries tended to focus more intimately on inner psychological states and personal relationships. It was intriguing to see Asian films sharing similar themes and atmospheres with Korean works, whereas Western films displayed a distinct interest in cinema itself as a medium.”
5. Which elements do you weigh most heavily when evaluating a film? Among screenplay, directing, acting, and aesthetic elements, which do you consider most essential?
Shim Jae-myung: “What I consider most crucial is how effectively a film conveys its theme and message to the audience. In short, it comes down to story. Directing, acting, music, editing, and all other elements ultimately exist to serve the story.”
6. Did you feel there were notable outcomes or meaningful shifts at this year's festival?
Shim Jae-myung: “Speaking from a personal perspective, I have participated in the Jeonju International Film Festival for over 20 years in various ways, such as film screenings or invitations. However, this was my first experience spending the entire festival solely as a jury member. I was delighted to see young audiences actively seeking out alternative, experimental, and youthful works. It is also highly encouraging that audience numbers increased despite a reduced overall budget.”
7. As a leading figure in Korean cinema, what direction do you think Korean film should take moving forward?
Shim Jae-myung: “Korean cinema is currently experiencing a general downturn. With theater attendance dropping sharply, returning to pre-pandemic levels seems challenging due to rapid changes in viewing habits. Global OTT platforms have largely replaced domestic ones, and big-corporate-centered distribution structures have led to extreme concentration on specific titles, resulting in qualitative homogenization of commercial films. Consequently, cinematic diversity is no longer sufficiently guaranteed. Nevertheless, it is deeply encouraging that Korean independent films continue to demonstrate courage and experimental spirit amidst these hardships. Moving forward, public support must be strengthened, and more proactive policy measures are absolutely essential.”
8. Does your role as a jury member influence your perspective as a producer?
Shim Jae-myung: “Being able to experience films from diverse nationalities all at once serves as a tremendous stimulus for a filmmaker. Immersing myself in works that are not easily accessible in everyday life was a deeply meaningful experience.”
9. As a jury member or producer, what new challenges would you like to take on in the future?
Shim Jae-myung: “To date, I have produced a total of 51 films. The projects I am currently developing or preparing include:
• A full-scale musical film
• A documentary focusing on an artist
• A feature-length animated film
• An international co-production project
Making films remains a challenging endeavor, but I continue working to embrace new challenges.”
Explore Shim Jae-myung's Filmography
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