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Korean Touch Festival
© Korean Touch Festival
Korean Touch Festival
© Korean Touch Festival

Korean Touch Festival 2026 – Interview with Neohan President Bettyann Ferrari

Lyon is getting ready for another vibrant celebration of Korean culture as the Korean Touch Festival returns on July 4 and 5. Over two days, visitors will experience a lively mix of music, food, performances, workshops, and cultural showcases that highlight the creativity and diversity of today’s Korean scene.

Interview by Jason Edwards · June 2026 · Lyon

Lyon is getting ready for another vibrant celebration of Korean culture as the Korean Touch Festival returns on July 4 and 5. Over two days, visitors will experience a lively mix of music, food, performances, workshops, and cultural showcases that highlight the creativity and diversity of today’s Korean scene.

Hosted by the association Neohan and led by its president, Bettyann Ferrari, the festival has grown into a warm and welcoming space where longtime fans and newcomers can connect. What makes Korean Touch special is its atmosphere: open, friendly, and built around genuine cultural exchange.

This year’s lineup brings together a dynamic group of artists. Korean singers JOJE and Doyul, along with dancers Hwi and Jangok, will take the stage with performances that reflect the energy of contemporary Korean arts. The festival will also welcome Matthew, a French singer, dancer, and performer known for his strong connection to Korean culture.

Beyond the shows, Korean Touch thrives thanks to the dedication of volunteers and cultural associations who work year‑round to share Korea with the French public. Their passion gives the festival its unique human touch.

As the 2026 edition approaches, Korean Touch promises two days filled with creativity, discovery, and cultural dialogue — a celebration that continues to strengthen the growing bond between France and Korean culture.

For readers who may not know you yet, could you introduce yourself and explain your role within Neohan and the Korean Touch festival?

I am the president of Neohan and the main organizer of the Korean Touch. I oversee everything related to the association, which manages the festival and aims to develop additional cultural projects. Regarding the Korean Touch, I act as the festival director. I coordinate every aspect of the event, from team management—volunteers, exhibitors, guest relations—to logistics and overall planning.

How was the Korean Touch created, and what motivated you to continue developing the event over the years?

The Korean Touch was originally created by another organization, inspired by a family discussion about a shared passion for Korea. I first joined the festival in 2022 as an exhibitor. In 2023, I took charge of managing exhibitors, volunteers, and guests—while still being an exhibitor myself. By 2024, I had fully taken over the organization, including logistics, and I was responsible for the entire festival for that edition and the following one in 2025.

In 2026, Neohan officially became the managing structure of the festival. That same year, I recruited my vice‑president, who now oversees exhibitors and part of the logistical coordination.

In your opinion, what makes the Korean Touch unique among Korean cultural events in France?

Our desire to share our passion with as many people as possible. We offer activities, highlight artists, and showcase both iconic and lesser‑known aspects of Korean culture. Our goal is to create an event that feels authentic, accessible, and driven by genuine enthusiasm.

The 2026 edition welcomes many artists, performers, and creators. How do you select the talents you invite?

We look for passionate individuals who express their love for Korea through music, dance, and—soon—acting. The selection process is based on discussion and mutual understanding. We want to know their expectations, their goals, and what they hope to share with the audience. Our priority is simple: bringing joy to our visitors.

What are the biggest challenges and the greatest rewards when organizing an event of this scale?

The main challenge is financial, of course. Finding artists can also be difficult. The festival grows every year, but it still needs to prove itself to attract bigger names from Korea. Then comes the logistical aspect—finding the right venue, with the right size and the right conditions.

But the rewards are immense: seeing the audience enjoy the festival, watching people have fun during concerts, and witnessing artists leave with a sense of fulfillment. These moments make everything worthwhile.

How do you perceive the evolution of the French public’s interest in Korean culture?

Every year, more people discover K‑pop—through family, friends, or social media. It shows a growing openness to the world, and I find it very positive. People are increasingly willing to explore cultures beyond their own or the most familiar ones.

Do you have any memorable moments from previous editions?

There have been challenges—sound issues, guests stuck at the airport, even riots. But the positive memories always outweigh the difficulties. Seeing the audience enjoy themselves, watching artists connect with fans, and feeling the desire of visitors to return year after year… those are the moments that stay with me.

What would you like visitors to take away from this new edition of the Korean Touch?

Our passion. I hope they feel that we all share the same enthusiasm and that behind the scenes, our goal is to bring people together, encourage discovery, and spark curiosity for Korean culture.

What are your ambitions for the festival in the coming years?

We want to continue growing. One of our dreams is to include more Korean cinema—films, short films, and dramas—and eventually invite actors, actresses, and directors. We also hope to expand our lineup of dancers and musicians, welcome more exhibitors, offer more activities, and bring together an even larger community of fans. Our long‑term goal is to make the Korean Touch an unmissable event, in Lyon and across France.